The crucial drawcard of director Steven Soderbergh’s cat-mouse corker is the full-steam rapport between Ian McKellen and Michaela Coel.

In a century of blended summers, everything old is new, then old, then new all over again for the women of a German family.

Delusion and greed implode with a rollout of bangs when hedonistic fun and games go south.

It’s a major plus point that Jodie Foster is easily the coolest customer in every scene.

The searing grip of director Warwick Thornton’s slow burn isn’t inclined to a bright side.

The impossible is just a fork in the road in this subversive jewel.

Writer-director François Ozon takes the classic Camus novel for a striking, disquieting spin.

Every minute seems siphoned from life in an unhinged and obliterative world.

No demon is more malignant than the death grip of addiction.

Every frame of this horrible story is a darkly beautiful immersion.