Bonnard, Pierre & Marthe (‘Bonnard, Pierre et Marthe’)
The partner of a celebrated painter needs every shred of her spirit in this anatomising of their exacting relationship.

Last Summer (‘L’Été Dernier’)
In dissecting a woman’s affair with her teenage stepson, film-maker Catherine Breillat’s intimate gaze is as lacerating as a scalpel.

Thelma
June Squibb as Thelma is a badass to her bones.

Kneecap
The feral energy of writer-director Rich Peppiatt’s debut feature roars at you out of the gate.

I Saw the TV Glow
An addictive TV show redefines reality for two lonely teens in a fantastic passage that’s impossible to define.

Iris and the Men (‘It’s Raining Men’) (‘Iris et les Hommes’)

Longlegs
The more twisted a horror rabbit hole becomes, the more hypnotic it’s perversely likely to be.

The Promised Land (‘Bastarden’)
Mads Mikkelsen’s meaningful looks mean business in a soil-tilling drama dug from Danish history.

Radical
Inspired by an actual teacher, film-maker Christopher Zalla’s blast of sunshine leans heavily on earnest overdrive.

The Three Musketeers: D’Artagnan (‘Les Trois Mousquetaires: D’Artagnan’)
The umpteenth adaptation of an 180-year-old classic is rife with machismo writ large.

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