Investing in the characters is everything when an ensemble is running the show, and there are a lot of them to invest in.
Jean Dujardin leans into lunacy in a marriage of the bizarre and the barking mad.
First-time feature filmmaker Keith Thomas spooks the stuffing out of his viewers.
Cate Blanchett has her fingers on the pulse as a lost woman who rediscovers her creativity and her corresponding self-love
What you feel, as the pressure builds in director Trey Edward Shults’s tightly strung screenplay, is just how lonely 18 can be.
This unassuming little number never pretends to be anything but a tra-la to grace under pressure.
Elisabeth Moss’s Cecilia has everything under the sun to be petrified about.