The good guys are principled and real, the baddies are amoral snobs, and shades of grey need not apply.

As a super-deranged Count Dracula, the concept of too much is meat, drink and dessert to a Gothically embellished Nicolas Cage.

In a finely crafted case of truth as perception, director Alice Diop leaves the obvious wide open.

Grace and generosity are the life force of Maryam Touzani’s lyrical reflection on love.

Taking the pulse of a pointless war is a tonally unrelenting slog.

Leave it to a Cronenberg to turn a deluxe resort into a death-dealing cloner playground.

Two users go for broke in a ritzy French caper with bite.

Writer-director Rolf de Heer isn’t messing around in a stark anatomy of racial hatred.

Every one of these characters is up to their necks in a mother lode of woe that makes perversely compelling viewing.

Louis Garrel’s zesty souffle is a charmer from first caprice to last.