Moving as slowly as a glacial melt, this soulful slant on individual destiny plays out primarily in the unspoken.
Director Alice Winocour’s intimate testimony to courage in the wake of the 2015 Paris Bataclan bloodbath is as unyielding as it needs to be.
The loopy reveals are progressively anarchic, held together by a cool ensemble cast.
Moving on is an act of will for an Iranian woman breaking free from domestic abuse.
Murder is a fizzy dish for director François Ozon and his chicly energised cast.
How awesome it is to be swept away by cinema, with the totality of which only children and fanatics are capable.
The bittersweet reconnecting of childhood soulmates wraps an unrealised love story in unanswerable questions.
A power struggle between a dominatrix and her over-it client is a stripping back of layers, piece by ragged piece.
Two words: rug up. With its bone-seeping cold and torrential waters, 19th-century Iceland is vastly unforgiving.